Practice recommendations for the difficult technical passages of F. Chopin’s Ballade No. 1 Op. 23
Practice recommendations for F. Chopin’s Ballade No. 1 Op. 23
Abstract
Historically, the piano gained significance over the years with the performance techniques that composers put forward in their works. In parallel with this developmental journey, the improvement of the art of interpretation led to the emergence of new playing techniques throughout periodical changes. The romantic era can be presented as an example to this situation as it was the period when the piano reached its highest level in terms of technique and music. In this context, Frédéric Chopin, considered one of the most important composers of the romantic period, has inspired many composers after him with the countless difficult pieces he has added to the piano literature. In the musical quest that he started, the piano technique improved greatly and led to the emergence of innovative interpretive approaches such as lyricism, timbre, and the rubato technique. This study presents the technical significance of the Ballade No.1 Op. 23, a composition of F. Chopin that can be presented as an example to these approaches and offers suggestions on how to practice the structures of this piece. Additionally, the research conducted a technical analysis of Ballade No. 1 Op. 23 and as a result of the analysis, developed a model for its practice method.
Keywords: Frédéric Chopin, Piano Technique, Ballade, and Analysis.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 International Journal of Curriculum and Instruction

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Submission of an article implies that the work described has not been published previously (except in the form of an abstract or as part of a published lecture or academic thesis), that it is not under consideration for publication elsewhere, that its publication is approved by all authors and tacitly or explicitly by the responsible authorities where the work was carried out, and that, if accepted, will not be published elsewhere in the same form, in English or in any other language, without the written consent of the Publisher. The Editors reserve the right to edit or otherwise alter all contributions, but authors will receive proofs for approval before publication.
Copyrights for articles published in International Journal of Curriculum and Instruction are retained by the authors, with first publication rights granted to the journal. The journal/publisher is not responsible for subsequent uses of the work. It is the author's responsibility to bring an infringement action if so desired by the author.